A Toronto independent recording label for the band Saucer.


Like it's chemical counterpart Sinigrin has a unique sensory experience and is good for your insides. Give our music a listen you see what you've been lacking.

It is being released April 24th 2023 on all streaming platforms

Well it’s been 20 years. Tech has changed so figured time to remaster just in time for ChatGPT and AGI taking over the world – as foretold. Catch your exceptions.

Malfunct artwork

Still time Artwork

Saucer – New and Improved

February 27th, 2021

Saucer is new and improved with more B+ vitamins. We have updated our servers. Let us know if you see anything amiss.

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Hyperspaces – Dubstep

Given the ongoing developments in electronic music, and after years of stalwartly attempting to buck this trend, I think we’re just going to embrace it whole-heartedly, although admittedly we are awfully late to the party.  Unfortunately for everyone, when Gibson recently decided to attend CES, eschewing a booth at NAMM to better position themselves as an Consumer Electronics and Lifestyle brand, we figured this is now irreversible, and, well, if you can’t beat ’em, join ’em!

Enter DJ Maestro JD who several years ago, in what I can only presume was an opioid and racket-sport induced bender, created this little ditty using our song Hyperspaces as source material.  He promptly forgot about it, and it surfaced recently at a rehersal while we were attempting to look up old songs.


The result is some of the most interesting and contemporary music we have managed to create in some time.  Unfortunately this is also causing me to have something of an existential crisis, as:

a) Jay is almost certainly the most musically talented member of the band.  A fact that has been hidden by the fact that up to this point we have only heard him hitting things with other things.

b) This makes me question our entire musical approach and makes me want to scrap all new music writing and just take our other songs and do this to it.

c) I’m going to need an entirely new wardrobe of club-friendly apparel.

d) I have about 40 guitars I’m going to need to sell to aging baby boomers before the bottom falls out of the musical instrument market.

Go ahead, just make music on your iPad. It’s cleaner and easier.

Bon Appatite!  Headphones recommended.

NGD: 1980 Dean ML

This is what a mid-life crisis looks like when you are in your 40's and are into pointy guitars

Jef and his 1980 Dean ML

So I’ve had some money earmarked to buy myself a guitar as a wedding gift. I figured I’d get something classy. Maybe an ES-295,

Gibson ES-295

Gibson ES-295

or something antique. I would really love a turn-of-the-century Gibson Style-O Artist (although they are $8000 these days)

antique Gibson, Style O

GIbson Style 0

and I had a pending offer out on a 1959 ES-125 that would have made an interesting and historic addition to the collection and was closer to my budget, but the seller never called back.

Gibson ES-125

GIbson ES-125

Well, I guess we’re doing the opposite of that.

1980 Dean ML

1980 Dean ML in front of THE ONLY AMPS THAT IT NEEDS

Brazen and obnoxiously pointy then?

My new (to me) Dean ML, beside it's parents

1991 Gibson Lonnie Mack Flying V, 1980 Dean ML, 1996 Gibson Explorer

I’ve admired Deans from afar for some time. I am a particular fan of how they mash classic Gibson designs together, like the Cadillac

Dean Cadillac

Dean Cadillac

(Explorer + Les Paul) or the ML, which is a cross of my two favourite body designs (Explorer + Flying V) with additional high end appointments like flamed maple tops and (then new) custom DiMarzio pickups. This model is from the third year of Dean production, when the small factory of about 20-25 staff would have been putting out about 40 instruments a week. You don’t see many Deans from this era because there aren’t many (although they did get into some high profile player’s hands quickly as rock and roll got to a point where V’s and Explorers fit in a bit better)

At the time, these were also priced higher than their corresponding Gibson brethren, so quality needed to be at a premium to justify it. Whoosh, does this thing sing! It feels and plays great. The case is a bit beat up, but all the latches and hinges work, and it’s done well at protecting its guitar as the cleanliness of instrument belies it’s 37 years of history.

If anything it is somewhat worrying that this doesn’t pass the “case test”.  The instrument should be in similar condition to the case, and the case is shy of “thrashed”, although is clearly an original ML case (nothing else would fit, and it has details that make it clear that it is original), but the instrument is in such good conditions, could it be a replica or copy?

Thing is, while these early Dean’s are worth a decent amount of coin, not so much to warrant the detail that has gone into copying this I’d think.  Really nice wood has been used, and the pickups, electronics and fit and finish are all wonderful.  As I play it more I think this might be one of the nicest playing instruments I own.  If it’s a copy, I don’t care, as I definitely feel like I have an instrument that plays and feels at least as well as it should based on price.

Best I can tell, it’s either original as is, or perhaps it has become lost from it’s original case, but is mated with another, albeit more beat up version of it’s original case (Trust me, ML fitted hard cases are both rare, and distinct.  you couldn’t fit anything else in this case)

I can think of few instruments less appropriate for a pudgy, balding middle-aged man, which come to think of it, also describes the seller pretty well. Dimebag Darryl, eat your heart out. We are your legacy.

In the mean time, I am now officially a fan of early Deans and perhaps Deans in general. I will certainly be taking a closer look next time I come across one.

Shout out to Deener @ CFRC and his radio program the Independent. For those interested in listening to some Saucer I’d recommend checking out Dallaire on Spotify (or Google Music, or iTunes for that matter) here is a link

and our Artist link